We are not the urban snobs rejecting music of the village. We do regard all this variety of them as a part of the one musicale culture of the space race, witch exists for million of years on our planet. This is how simple drum, flute, mouth harp turned into theremin, synthesizer and sampling sequencer. Man have always tried to innovate their sound tools, turning them into more and more "sophisticated" musical instruments with mesmerizing sound qualities. But in this journey we took bits and pieces of the sounds, songs and smells that we grew up with, projecting them on the screen of the new reality. Years of travelling far and wide, making hundreds of recordings, delving into ancient musical. And this is not just a mind trip this is a body journey - a journey from here to eternity. Omnipresence is the magnum opus by explorer and discoverer, OMFO. We are the crew of a spaceship that left our mother planet to search for the new worlds. This music is supposed to make us realize that our culture is a space culture, that we, earthlings are the children of Cosmos. By definition, space music cannot be limited just by the pulsating clicks and the bubbling electronic sounds. From the first sight an unimaginable fusion is going to be played life by five brave representatives of the human race. To Him the distinctive conception of omnipresence was: The child of God.
Hebrew philosophy, in the person of its supposed founder, might exclaim: ‘Behold, heaven and the heaven of heavens cannot contain thee’ (1 Kings 8:27) but no such thought ever came from the lips of Jesus. This is the cutting edge of pastoral music future sound of villages, including folk tunes of aliens and the favourite songs of the space mafia. The Lord Jesus never associated omnipresence with infinitude. Senor Coconut) and his most complete album "Omnipresence". Two more albums followed "We Are the Shepherds" co-produced by the legendary Atom(tm) (a.k.a. His first album on the Essay Recordings label, Trans Balkan Express, put him in the international spotlight and none other than Borat has chosen two tracks from the album "Money Boney" and "Magic Mamaliga" for the soundtrack of his film. Whatever you call it, you're unlikely to hear anything quite like this anywhere else. In his music folk meets Kraftwerk, futurism meets folklore imaginaire or maybe call it "village disco" or "space folklore". With his bristling brain and cross-cultural crew of multifaceted musicians he boldly goes where none have thought to go before, travelling from the West to the East, from Amsterdam via Berlin to the hinterlands of the EU, the Carpathians, the Black Sea and into the front garden of Asia. The self-styled bandit in time and space, transforming ancient melodies into music for cosmonauts and spaceships, inventor of the sonic horoscope and tireless researcher into the question of the role of traditional cultures in the age of technologies. Our Man from Odessa is the master of crossover par excellence. A new dimension in Village Disco or Space Folklore
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